Each and every tiny line that Emilie Plateau is drawing tells everything about life : her life, obviously, but as a matter of fact, life with a capital “L”.
After many years spending her time observing, listening, recording anything around her, she slowly but surely assembled tons of pages that could easily look like some kind of a very long diary, cut in many little self-published minis. Using some distance and filling it wisely with a caustic, sharp storytelling, Emilie (a south-eastern France native who is now living under the Bruxelles rainy atmosphere) is just pushing the autobiographic over-used general idea beyond what we were used to. New and unexpected way to deal with honesty and candor shows at each new story she share with her readers.

Selected bibliography :

  • “Noire, la vie méconnue de Claudette Colvin” (d’après Tania de Montaigne) (Dargaud, 2019)
  • “Moi non plus” (Misma, 2015)
  • “Comme un plateau” (fanzine auto-édité, 2009/2013)
  • “16000” (avec Gauthier, Poing, 2013)
  • “Comme un plateau” (Six pieds sous terre, 2012)
  • “Paysages” (cartes postales, Catalogue d’exposition, Nos restes, 2011)
  • “Life” (bande dessinée numérique, AlterComics, 2011)

Anthologies/collectives :

  • “Dopututto Max 4” (Misma, 2013)
  • “Alimentation générale 4” (Vide cocagne, 2013)
  • “L’animal a 20 ans” (Six pieds sous terre, 2012)
  • “Jade 108U” (Six pieds sous terre, 2011)
  • “Jade 320U” (Six pieds sous terre, 2010)
  • “La revanche” (L’Employé du moi et Samandal, 2010)
  • & Turkey Comix, Super Structure, Le cheval de quatre, Tonton, Gonzine, Deadline, George…